Guido de Monte RochenManipulus curatorum (4th recension).
Imprint:
[Milan: Johannes Antonius de Honate, c.1488-9]. 4°.
GW ascribes to [Ingolstadt: Printer of Lescherius, c.1488] probably on the basis of a comparison with Honate's type as in GfT 1675 which reproduces Honate's type 72 G with a capital G which has a double stroke at the back and is larger than the rest of the fount. The G which is found in the present book is also used by Honate, for instance, in Thomas Aquinas, Opuscula. Milan: Beninus and Johannes Antonius de Honate, 1488, where both types of G occur. Honate's type further differs from that of the Printer of Lescherius in that the back of the former's capital ‘C' is more sloping and the top horizontal, and the vertical strokes of its capital L are designed with one curving line, not two separate lines.
Guido de Monte RochenManipulus curatorum (2nd recension).
Imprint:
[Augsburg]: Christmann Heyny, 14[8]1. Folio.
Since Heyny is known to have printed only in 1481/2 the date ‘lxxj' is considered a misprint for 1481; in the Harvard copy a contemporary hand has corrected the date to ‘xlxxxi'; see Walsh 613.
Guido de Monte RochenManipulus curatorum (3rd recension).
Imprint:
Paris: In vico S. Jacobi (Au Soufflet Vert [Louis Symonel et Socii]), 25 May 1476. 4° and Folio.
Following ISTC, this edition is distinguished from the reprint of c.1479, with which this edition is confused in catalogues; see Jeanne Veyrin-Forrer, ‘Les Premiers ateliers typographiques parisiens: quelques aspects techniques', in La Lettre et le texte: trente années de recherches sur l'histoire du livre (Paris, 1987), 213-16, at 225: the colophon here ([q6v]/fol. 156v) has ‘GRATIAS', the later edition ‘GRACIAS'.
